Brain Press: Workshops
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An Interview with Charles Lewton-Brain

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A List of Workshop Subjects offered by Charles Lewton-Brain

Summer 2014 Workshops
with Charles Lewton-Brain
(Winner of the 2012 Governor Generals Award)
Short Video Interview


You can contact the schools below to register for a workshop
Montreal/March, / Calgary/May-June, / New York City/Jewellery Arts Institute, July / New York/Center for Metal Arts August, /Massachusetts/August

March
Ecole de Joaillerie de Montreal
Foldforming
March 1-2 (Sat-Sun)
This workshop is an introduction to the system of folds in two days. You will see how to make folds in each of the main categories. Forms are derived from the natural plasticity and ductility of the metal. Shaping is extremely efficient and rapid – many forms are complete in three to seven minutes. Tools are simple: fingers, hammer, anvil and mill. Complex relief forms are made from sheets of metal often in one annealing. Forms made with this method resemble chased constructed and soldered forms and can be made with most metals, including steel.

What is fold-forming?
Fold-Forming Hammers and Tools Descriptions
Contact the Ecole de Joaillerie de Montreal
416 De Maisonneuve, Montreal, QC H3A 1L2
Phone: 514-281-9922 Contact


May-June
Alberta College of Art and Design
Calgary, Alberta, Canada

Gold Applications Techniques:May 24-25(Sat-Sun)
This approach lets you paint and design with different metal colors onto background metals. The results of a two year research project for the Society of North American goldsmiths. It includes fusion applications (gold painting), doublee, Keum-boo, depletion gilding description (tumbaga, guanin), inlay, overlay procedures and a discussion of fire gilding. Control factors for free compositional choice are defined and demonstrated. Many of the techniques work well under enamels as given in a presentation to the 1993 Enamelist Society Conference in Cincinnati. A great compositional system. In these days of expensive gold this is a way of using scrap gold jewellery you wouldn't use for anything else to create gold images, fast and easy, and then you build with them. Lots of examples and images of what you can do. 10am-5pm

Lewton-Brain Concentration: 6 days, June 21-26

This is a rare opportunity to have a long interaction with Charles. Because of additional information and tangents that are part of the way he gives workshops this is a deep interaction and chance to learn.

Chasing Tools: Make Your Own: June 21-22 (Sat-Sun)
This intensive class teaches how to make chasing tools and what is important to know about them. It teaches an in-depth understanding of steel theory and control in tool making. All the kinds of chasing tools are shown, which includes lining, forming, planishing, veining, gadrooning, pattern, stamp making, chain and rope, matting and texturing, soft and more. Chasing tools from other cultures are described. Gold area inlay is shown. Hammer alterations are shown. You should be able to make about eight or more chasing tools in this workshop. Steel is supplied. 10am-5pm. This workshop is timed so you can follow with the foldforming workshop. 6 information soaked days with Lewton-Brain.
Chasing links.

Fold-Forming: June 23-26 (Mon-Thurs)
This workshop delivers the whole system of hundreds of folds in four days. You will learn to make folds in each of the main categories. Forms are derived from the natural plasticity and ductility of the metal. Shaping is extremely efficient and rapid – many forms are complete in three to seven minutes. Tools are simple: fingers, hammer, anvil and mill. Complex relief forms are made from sheets of metal often in one annealing. Forms made with this method resemble chased constructed and soldered forms and can be made with most metals, including steel. Calgary is an hour's drive from Banff, in the Rocky Mountains. Come for the class and stay for t e Nature! The most thorough foldforming workshop offered this year. 9am-5pm.

What is fold-forming?
Course Supply List
Fold-Forming Hammers and Tools Descriptions

Foldforming Competition 2012 video by Sue Lacy

To Register contact: ACAD Extended Studies:

Alberta College of Art & Design
1407 - 14th Avenue NW, Calgary, AB T2N 4R3
Telephone: (403) 284-7640 (M-Th, 8:30 AM - 7:00 PM; F-Sat, 8:30 AM - 4:00 PM) MST (ask for housing information)
Fax: (403) 284-7603
Email:
extendedstudies@acad.ca
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July

Jewelry Arts Institute, New York City

Fold-Forming: July 26-27-28
This workshop delivers the system of hundreds of folds in four days. You will learn to make folds in each of the main categories. Forms are derived from the natural plasticity and ductility of the metal. Shaping is extremely efficient and rapid – many forms are complete in three to seven minutes. Tools are simple: fingers, hammer, anvil and mill. Complex relief forms are made from sheets of metal often in one annealing. Forms made with this method resemble chased constructed and soldered forms and can be made with most metals, including steel. An excellent introduction, and enhancement of understanding. 10am-5pm.

Web Site
Their Facebook Page

 


August

Center for Metal Arts, Florida, New York at the Center for Metal Arts, (an hour north of New York City) (The 7th Annual Lewton-Brain Foldforming Symposium) The 2012 Foldforming Competition. 2013 Winners, 2013 Foldforming Competition Video

Fold Forming Boot Camp August 1-4 (Friday-Monday)

Welcome to the most comprehensive, authoritative 4-day introduction to foldforming available today. Charles Lewton-Brain, who remains at the nexus of worldwide developments, is your guide to the technology and the art of the folded form. Lecture and demonstrations cover all major foldforming categories with significant attention to variations and creative opportunity. With Charles Lewton-Brain as your guide, expect bonus topics and extra depth tailored to the unique interests of workshop attendees.

The ample hands-on studio time planned for 2014 will be a rare opportunity to benefit from Charles Lewton-Brain's personal attention to each student’s hammer technique and process. Students will find those course corrections during studio time to be invaluable when they go home and continue working.

Workshop attendees should have previous experience with basic foldforming. Check the Upcoming Workshops page for opportunities to learn the basics in half-day or full-day sessions prior to August. An alternate option is to read the classic 'Foldforming" by Charles Lewton-Brain in advance of class.Register for the Class
What is fold-forming?
Fold-Forming Hammers and Tools Descriptions

www.centerformetalarts.com
Contact: info@centerformetalarts.com or call 845 651-7550 for more information
Center for Metal Arts Blog entry about Charles

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Metalwerx School, Waltham, Mass

August 6-8
(Wednesday-Friday)

Fold Forming
This workshop delivers the whole system of hundreds of folds in three days. You will learn to make folds in each of the main categories. Forms are derived from the natural plasticity and ductility of the metal. Shaping is extremely efficient and rapid – many forms are complete in three to seven minutes. Tools are simple: fingers, hammer, anvil and mill. Complex relief forms are made from sheets of metal often in one annealing. Forms made with this method resemble chased constructed and soldered forms and can be made with most metals, including steel. Class information.

What is fold-forming?
Fold-Forming Hammers and Tools Descriptions

August 9-10 (Saturday-Sunday)
Foldforming: The Next Steps

This course is geared towards students who have experience with fold forming, but want to take their work to the next level by exploring more complex folds and realizing methods for integrating forms into their artwork. Come learn from the master and creator of this original metalsmithing technique.
Executing the intricate folds can be tricky. Charles will spend the first day of class reviewing folds by student request. The afternoon will be complemented with hands-on time to practice making samples with instructor guidance.
Fold forming structures and surfaces are applicable for jewelry, hollow ware, enameling, anodizing, and more. The focus of the second day of class will be to understand how to go beyond the samples to incorporate fold-forming concepts into finished work. Demonstrations include edge treatments such as upset, rolled, rolled with a wire inside, and decking; and reviewing approaches to looking at and cutting up samples to make them more interesting. Students are encouraged to bring examples of their work (finished or unfinished) so that at lunch, time can be spent giving feedback that will help generate ideas and methods for taking this technique to the next step. If there is strong interest, students will have the option of more forming demos on the second day, as time allows. Class Information
Metalwerx
50 Guinan Street
Waltham MA 02451
781-891-3854
http://www.metalwerx.com/

Email: Lindsay@metalwerx.com


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Brain Press has a collaborative web site with the Ganoksin Project. This is the largest resource on the internet for jewelers and metalsmiths. Charles was a founding partner with Dr. Hanuman Aspler in the project. A Ganoksin Project History


Lewton-Brain Workshop Subjects Offered
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Workshops can be tailored for your needs.
Contact us

Fold Forming
Patination of Metals
Gold Application Techniques
Keum-boo
Resist Plating
Catches, Findings and Mechanical devices
Bench Tricks for Goldsmiths
Hinges and Hinge making
Criticism and Analysis of work
Jewelry in non-precious materials
Introduction to Small Scale Production Processes
Chasing and Repoussé
Making your own Chasing Tools
Photography for Small Objects
Drawing for Jewelry
Raising, Forming and Large Hollow Construction
Stonesetting Workshops
Constructing your own PR Tools and Professional Documentation

Other Workshop Subjects


Fold Forming: Fold forming is a new, quick, easily learned way of shaping sheet metal with hand tools. It emphasizes forming using the metals characteristics. Rather than forcing form upon the material forms are derived from the natural plasticity and ductility of the metal. Lewton-Brain invented fold-forming which is now internationally recognized as a new way to work metal. Shaping is extremely efficient and rapid (many are 3-7 minutes working time). Tools are simple; fingers, hammers, anvil and mill. Complex relief forms are made from sheets of metal often on one annealing. They resemble chased, constructed and soldered forms. It works with most metals including aluminum and, niobium and is applicable for jewellery, hollowware, enameling, anodizing etc. An advanced level workshop is now available.
Patination of Metals: Safer, easy patination methods for metals that involve easily obtainable and kitchen chemicals to produce a wide range of blues, greens, browns, blacks, greys and reddish tones on most metals including precious. Application methods and control of pattern and surface are described. This is addressed as a compositional system. Fold-forming Description / Fold-Forming Tools
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Patination of Metals:
Safer, easy patination methods for metals that involve easily obtainable and kitchen chemicals to produce a wide range of blues, greens, browns, blacks, greys and reddish tones on most metals including precious. Application methods and control of pattern and surface are described. This is addressed as a compositional system. Workshop Subject List


Gold Application Techniques: This lets you paint and design with different metal colors onto background metals. The results of a two year research project for the Society of North American goldsmiths. It includes fusion applications (gold painting), doublee, Keum-boo, depletion gilding (tumbaga, guanin), inlay, overlay procedures and a discussion of fire gilding. Control factors for free compositional choice are defined and demonstrated. Many of the techniques work well under enamels as given in a presentation to the 1993 Enamelist Society Conference in Cincin-nati. A free compositional system. Examples


Keum-boo: This class teaches how to easily hot burnish 24K gold foil onto silver objects. This incredibly simple designing technique was re-introduced to the West from Korea in the last ten years. It lets you apply 24k yellow gold shapes onto silver sheet intended for later construction, onto finished silver objects, onto any gold alloy, steel, platinum and palladium. The white silver/gold alloy Electrum can be used the same way and with liver of sulfur provides options for yellow, white and black on the same silver object. This is a really rapid, easy method of adding the richness of 24k gold to silver and gold objects. Examples
Workshop Subject List


Resist Plating: This lets one quickly and freely compose with different metal colors onto metal surfaces. A unique, original workshop, it teaches how to use electroplating solutions with resists to compose with. Results can be very painterly and it is easily learned. Simple resists allow free compositional choice in a ‘Batik’ approach to surface. The standard (toxic and now less toxic available) jewelry shop solutions; copper, nickel, silver and gold are used. Simple patinas offer greens, blues, browns and black. This is a way of making pictures, of painting using the colors of metals.Examples
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Catches, Findings and Mechanical devices: A range of simple and complex hand-made findings and mechanisms are demonstrated and described. The concept of relative fitting is emphasized. This results in more successful construction technique and technical problem solving skills than traditional 'blueprint building' approaches may offer. Production aids and bench tricks are discussed. If short this workshop is mostly lecture.Workshop Subject List


Bench Tricks for Goldsmiths:
If you are interested in homemade tools and bench tricks to speed your production and understanding this workshop is for you. A loose, eclectic collection of short cuts, bench tricks, stonesetting and polishing hints and alternative equipment options for goldsmiths representing decades of goldsmithing tricks gathered together. Cheap tool making, jewelers secrets and unexpected sources for tools are described. Many are described in Lewton-Brain’s book Cheap Thrills in the Toolshop and the CD Bench Tricks for Goldsmiths.


Hinges and Hinge making: This workshop deals with hinge making, its tricks and considerations. Simple and complex hinges are described and discussed. A generic hinge is demonstrated and made by participants and is done so as to preclude soldering errors. Force fit hinge pins, lubrication, thick walled hinges, hidden hinges, silversmiths hinges, spring hinges and simple hinge based catches for bracelets may be described. Workshop Subject List


Criticism and Analysis of work: This jurying workshop has participants bring their work in for individual critiques of work preceded by a lecture and working group discussion of what is important in critical evaluation of an object. A serious critical opportunity for those who can benefit from an honest external view of their work. Methods of self evaluation are taught in the workshop that lead to better, more cohesive work.Top


Jewelry in non-precious materials: This workshop allows rapid making of work so as to facilitate discussion of theory and design of finished work in a short time span. Concept, intent and design are discussed. Understanding and creative control of jewelry roles and contexts is stressed. The many contemporary uses of non-precious materials are discussed. Participants will make work that stresses content and meaning over intrinsic value. Workshop Subject List


Introduction to Small Scale Production Processes: The workshop concentrates on production thinking and planning with the small workshop in mind. Processes are examined that offer the metalsmith ways of making multiples with limited equipment. Also procedures that produce fast results in metal and which can therefore be adapted for use by producers of unique work or reproduced items. The lecture will deal briefly with production planning, press use and options for surface manipulation, forming, blanking, casting, gold painting, paper die use. This is a tremendous amount of information and so some areas such as casting must necessarily be skimmed. This course, if short, concentrates on information sharing.


Chasing and Repoussé: European, North American and Asian chasing techniques are discussed and taught, as is steel theory and tool making. Hammer design, alteration options and use, pitch making and it's control are discussed. Concrete pitchbowls are made. Tool types include forming, planishing, lining, veining, gadrooning, matting, side/set down, pearl punches, stamps, chain and pattern. There is an introduction to European and Asian chisel work. Cloth area inlay on steel is demonstrated. Control factors are defined. A truly general and deep exposure to the plastic world of chasing metal.Top

Chasing Tools: Make Your Own
This intensive class teaches how to make chasing tools and what is important to know about them. It teaches an in-depth understanding of steel theory and control in tool making. All the kinds of chasing tools are shown, which includes lining, forming, planishing, veining, gadrooning, pattern, stamp making, chain and rope, matting and texturing, soft and more. Chasing tools from other cultures are described. Gold area inlay is shown. Hammer alterations are shown. You should be able to make about eight or more chasing tools in this workshop.


Photography for Small Objects: A professional system for photographing items of jewelry scale is demonstrated which costs less than 60.00 (less the camera and tripod). Professional quality photography on this basic system is taught. Digital camera use, film types, lighting, miniature spotlighting, composition, drop shadow backgrounds, surface understanding and image creation are covered. PR. techniques are taught and sources shared. You will walk out taking publishable images of your work.Workshop Subject List


Drawing for Jewelry: An introduction to the drawing skills needed to design jewellery and to communicate ideas to others. Drawing is discussed in skill oriented terms, dealing with it as a conceptual tool for manipulating and understanding objects and their making. Drawing skills touched on include contour, orthographic and oblique projection, perspective, exploded, rendering systems and the use of various media. Design and creative exercises are included.Top


Raising, Forming and Large Hollow Construction
: This workshop teaches the basics of raising and forming, planishing, large seams, large constructions and solderings, wiring aids and set ups for soldering. Because large constructions are time consuming for participants if this is a short workshop it is primarily information.Workshop Subject List


Stonesetting Workshops: Available from introductory to advanced professional levels at any length requested. The longer the better but a good informative workshop can be designed specifically for your group in the time available. Settings options include tube and Gypsy setting, simple and constructed bezels, basic single stone bead and star bead setting, snap settings, European style engraved bezel settings, Prong settings, constructed star settings, thick walled, high cabochon, square and fancy bezels, Flush mount,. 'Mirror' and buff top settings, basic engraved single bead setting: a review of three approaches. multiple bead settings. 2 bead run strip setting. More complex bead setting is discussed, as are Pavé setting in two styles, rear and tab settings and odd settings.Top


Constructing your own PR Tools and Professional Documentation
This workshop deals with how to put together the things you need to talk to the market place, galleries and magazines. How to write a biography, do a statement, plan a PR package, determine design options for your business cards and so on. Exercises, instructions, samples will convey information. Workshop Subject List


Other Workshops Offered:
(ask us for descrioptions)

Design and Creative Tools
Wax and Cast Metal
Teaching through Process and Problem Solving
Homemade Tools/Ancient Technology
Gem Identification on a Shoestring
Flexible Shaft Use and Tricks
Simple Electroforming
Workshop Subject List

Brain Press
Box 1624, St M, Calgary, Alberta, T2N 1E3, Canada
Email Us
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